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EXHIBITION: NOVEMBER 2 – DECEMBER 7, 2013
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PETER KIRKILES
Split Rule, No.65 - 2013
chestnut, bronze, wax, steel bracket
38 x 16 x 4 in.
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STEPHANIE BRODY-LEDERMAN
In Perfect Bloom - 2013
oil, acrylic on canvas
48 x 48 in.
The daily life we live, the quotidian, is the wellspring of Brody-Lederman’s painting vocabulary. Brody-Lederman wants to show the complexity and beauty of life, the poetry inherent in the ordinary and uses simple images, trees, birds, cherries, lanterns while honing the psychological content within. |
GREGORY PERKEL
Tablecloth - 2008-2010
cardboard on plywood
70 x 192 in.
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JEANETTE MAY
Fox
- 2013
archival pigment prints
24 x 36 in. (61 x 91 cm)
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JERRY MONTEITH
Cross Fly - 2012
mixed media
2.5 x 2.5 x .75 in.
Traditionally, fishing flies are made of organic materials such as feathers and fur. They are designed to mimic a specific insect at a particular stage of its life. In the effort to target larger fish, they are used to mimic baitfish and even mice. In most cases, the fly does not need to be a copy true in all bodily detail. A simulacrum will typically suffice, and for the class of flies called “attractors”, a combination of sufficiently “buggy” characteristics will do. This series takes the fishing fly as a paradigm object and asks the viewer to imagine its living model. |
MOSES HOSKINS
Untitled (Blue Wave) - 2012
mixed media
12 x 9 in.
Moses Hoskins’ paintings concern form and shape, line and edge, the tactile properties of the material, spatial relationships and balance or imbalance. Solid mass and negative space emerge to attain individual character. There is occasional consideration for color but in this work the emphasis is on overall composition. |
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